Trio for Violin, cello and Piano (1998)
for 'cello, piano, violin
By Douglas Boyce
American
American
Counterpoint wears two hats: harmony and gesture. Motive competes with melody, while melody collaborates with motive. But who is the third business?
Other works by Douglas Boyce:
- Etude on 'Pymalion qui moult subtilz estoit'
- Deixo | Sonata
- Paisaje con dos tumbas y un perro asirio
- Etude II from A Book of Etudes
- Blue Lines
- A Book of Etudes
- Study for Etude
- Day of Electricity
- 102nd & Amsterdam
- Aristeia
- La Guerra de la Dríada
- Quintet l'homme armé
- Palimpsest: A Composition of Maps
- Ox, House, Camel, Door
- Reptile Brain
- Trio for Violin, cello and Piano
- The Essential Tension
- ...merely circulating
- Piano Quartet
- A Book of Songs
“Creation of a thing, and creation plus full understanding of a correct idea of a thing, are very often parts of one and the same indivisible process and cannot be separated without bringing the process to a stop.”
--Paul K. Feyerabend, Against Method