[photograph]

big science

Fri Jun 3 2005

counter)induction explores the complexities of human/computer interaction with its performance of Davidovsky’s masterpiece for tape and chamber ensemble, Synchronisms #2; Tristan Murail’s hybrid work Treize couleurs du soleil couchant; and two world premières by c)i composer-members Douglas Boyce and Kyle Bartlett.

Programme:

“[T]he notion of noise is first and foremost a subjective notion.”
--R. Chocholle, Le Bruit