[photograph]

order means nothing

Mon Oct 11 2004

counter)induction continues its exploration of improvisation in contemporary chamber music with a concert featuring works by Pauline Oliveros, Christian Wolff, and a premiere by c)i composer-member Kyle Bartlett, culminating in Earl Brown’s landmark work December,1952.

Programme:

“[T]he notion of noise is first and foremost a subjective notion.”
--R. Chocholle, Le Bruit