c)i - Classical Interludes

Sun Apr 30 2017, 04:00PM
Brooklyn Public Library - Central Library
Dweck Center

10 Grand Army Plaza
Brooklyn, NY

counter)induction visits the stately Dweck Center of the Brooklyn Public Library for the popular Classical Interludes series!

For this program c)i will lend its signature virtuosity to a rare program of standard and new repertoire, performing works by Fauré and Bartok alongside music by Andrew Rudin and a world premiere by c)i violist Jessica Meyer.

Fauré’s elegantly wrought Piano Quartet #1, begun in 1876 and reaching its final revised form in 1883, combines traditional structures with intimations of his later harmonic innovations, exploring Romanticism as a particularly French alternative to Wagner.

The title of Bartók’s Contrasts may refer not only to the varied nature of the music but also the unlikely trio for which it was written – Benny Goodman (cl), Joseph Szigeti (vn), with Bartók himself on piano. Its freewheeling, often improvisatory rendering of Bartok’s beloved folk music captures the individual characters of the players with great élan.

Andrew Rudin’s music has been performed by some of the most esteemed musicians of our generation. Initially recognized as a composer of electronic music, his later works continue to bring voice to new explorations of traditional forms, such as the sonata. This concert feature’s the beautifully lyrical Adagio from his 2007 Viola Sonata.

c)i violist Jessica Meyer has branched out in recent years as a composing performer, creating works for viola and loop pedal for herself as well as purely acoustic works for chamber ensembles. This is the world premiere of Jessica’s quintet, written for counter)induction.

The BPL Chamber Players program is curated and hosted by Peter Weitzner.

Programme:

event information:

This concert is FREE but reservations are required.

BPL Chamber Players

Click here for Brooklyn Public Library - Central Library information and directions

“A gentleman brought music to his lady's window, who hated him,...and when he persisted, she threw stones at him. Whereupon a friend of his that was within his company, said to him; "What greater honour can you have to your music, than that stones come about you, as they did to Orpheus."”
--Francis Bacon