Past Performances


Microtones and Meditations

Tue Sep 30 2003

counter)induction performs one of the greatest works of the 20th Century, coupling it with more recent works in a concert alternately ruminative and fervent. [more info]

open and shut

Fri Nov 21 2003

c)i makes the case for a reconsideration of the distance between composition and improvisation in a legal brief like you’ve never heard! Featuring aleatoric and through composed works by John Cage and André Boucourechliev, and others. [more info]

Day For Night: c)i at GWU

Sat Feb 28 2004

counter)induction makes its District of Columbia debut, featuring a new work by Douglas Boyce for c)i and guest artist Robert Baker, tenor, as well as public readings of works by GW students. [more info]

Music at the Anthology

Wed May 12 2004

counter)induction is a featured ensemble at this year’s MATA Festival in a program featuring works of Sciarrino, Bartlett, and Johan Tallgren’s “Quatour a Royamount.” [more info]

New Voices

Sun Jun 13 2004

c)i collaborates with soprano Dora Ohrenstein in an ambitious exploration of new vocal and instrumental chamber music. “New Voices” presents works by some of the most exciting emerging compositional voices today. Featuring music by Jason Eckardt, Lee Hyla and Susan Botti; and world premieres by c)i composer-members Douglas Boyce and Kyle Bartlett. Funded in part by a generous grant from the Alice M. Ditson Fund of Columbia University. [more info]

“Once when father (George Ives) was asked: 'How can you stand it to hear old John Bell (who was the best stonemason in town) bellow off-key the way he does at camp-meetings?' his answer was: 'Old John is a supreme musician. Look into his face and hear the music of the ages. Don't pay too much attention to the sounds. If you do, you may miss the music. You won't get a heroic ride to Heaven on pretty little sounds!'”
--Charles Ives