Past Performances


order means nothing

Mon Oct 11 2004

counter)induction continues its exploration of improvisation in contemporary chamber music with a concert featuring works by Pauline Oliveros, Christian Wolff, and a premiere by c)i composer-member Kyle Bartlett, culminating in Earl Brown’s landmark work December,1952. [more info]


Fri Dec 10 2004

c)i presents a snapshot of the new Finnish aesthetic(s) ranging from the abstract to the elegant to the downright silly. This concert will feature the New York premiere of a work by Jukka Tiensuu, works by Kaija Saariaho and Sampo Haapamaki, as well as works from a call for scores organized in collaboration with the Society of Finnish Composers. [more info]

2005 Columbia Music Scholarship Conference Program

Fri Jan 28 2005

This concert is part of the 2005 Columbia Music Scholarship Conference Program, and is free and open to the public [more info]

Washington Square Contemporary Music Society

Wed Mar 9 2005

This program will feature a world premiere written for the ensemble, along with works by Ursula Mamlok, Lee Hyla, George Crumb, and counter)induction composer-member Douglas Boyce. More information can be found here: Washington Square Contemporary Music Society [more info]

big science

Fri Jun 3 2005

counter)induction explores the complexities of human/computer interaction with its performance of Davidovsky’s masterpiece for tape and chamber ensemble, Synchronisms #2; Tristan Murail’s hybrid work Treize couleurs du soleil couchant; and two world premières by c)i composer-members Douglas Boyce and Kyle Bartlett. [more info]

“Once when father (George Ives) was asked: 'How can you stand it to hear old John Bell (who was the best stonemason in town) bellow off-key the way he does at camp-meetings?' his answer was: 'Old John is a supreme musician. Look into his face and hear the music of the ages. Don't pay too much attention to the sounds. If you do, you may miss the music. You won't get a heroic ride to Heaven on pretty little sounds!'”
--Charles Ives