Douglas Boyce's Ars Poetica is a multimedia work that seeks to reconnect with ancient oral storytelling traditions like griots and jongleurs, combining poetry and musical performance, drawing from modern and medieval devices of Western Art Music, and also from poet Marlanda Dekine's roots in Gullah Geechee culture and West/Central African influences.

Kyle Bartlett's Before imagines an origin of music, and postulates a rapid elevation of complexity,  as the proto-language quickly develops grammar and signification that is resonant with but different from chamber music's primary tongue.  This program features two works composed for c)i, with premieres planned in Spring 2025: 

Christian Carey's Spell Weavers for clarinet and guitar forms part of his Proteus cycle written for counter)induction, exploring sonic possibilities through atmospheric textures including tremolos, trills, harmonics, pizzicato, multiphonics, and rasgueado.

Yoon-Ji Lee's new work showcases the Boston-based composer's unconventional, non-linear approach, interweaving rapidly transforming gestures, textures, and tone colors.